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Introduction/Features Skriabin, undoubtedly, was the most original and charismatic genius in the music world at the beginning of this century.His importance in composing music and his influence on modern music have long been neglected.This may be because the contradictions in his music are subjectively idealized, philosophically embedded and grammatically, and cannot be appreciated directly from a unbiased point of view.Surprisingly, even today, the treasure contained in his piano works is not well known to the pianist and the public; even if they are the most beautiful, varied, acoustic, and most exciting works, they are also the most perfect modern piano works in content and form.As for the earlier work of scribin, it enjoys a more general popularity and appreciation. Skriah bin's piano works require the highest degree of sensitivity, as well as excellent skill and musicality.But above all, players must be able to achieve the requirements of rhythm, sound sensitivity and pedaling skills.For listeners, these works also require that they focus on the rapid ups and downs of melodies and notes in music, and that if they do not follow the music in a coherent manner, they lose touch with music thoughts.From this point on, it can be understood that this stimulating work is unlikely to be a "popular" purpose.But this is not immutable.The performer must remember: don't exaggerate the speed of a tune.Listeners remember: don't focus too much on notes, just keep the rhythm-subsection in the ongoing sound; just like a photo requires the right distance and light. Total 91 pages, 23 titles Contents Inhalt-Table-Contractors 12 ETUDES Op.8 24. Allegro 25. A capriccio, con forza 26. Tempestoso 27. Piacevole 28. Brioso 29. Con grazia 30. Presto tenebroso, agitato 31. Lento (Tempo rubato) 32. Alla ballata 33. Allegro 34. Andante cantabile 35. Patetico 8Ectudes Op.42 36. Presto 37. Q = 112 38. Prestisimo 39. Andante 40. Affanato 41. Esaltato 42. Agitato 43. Allegro 3 ETUDES Op.65 44. Allegro fantasyco 45. Allegretto 46. Molto vivace 47.